From Silent to Digital
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From Silent to Digital

Since 1913, when Dada Saheb Phalke produced the country?s first silent film, which had all the ingredients of the Sanskrit drama, the film industry in the country has flourished and has played a major role in promoting a sense of Indianness, not only in India

Archive ManagerArchive Manager
Oct 29, 2013, 03:28 pm IST
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Technological Advancement

undefinedSince 1913, when Dada Saheb Phalke produced the country’s first silent film, which had all the ingredients of the Sanskrit drama, the film industry in the country has flourished and has played a major role in promoting a sense of Indianness, not only in India, but around the globe. Today we use the term “Bollywood” for the Indian film industry, but it is not as if everything in Indian cinema is Hollywood inspired, as the term Bollywood may seem to suggest, Indian cinema has a unique identity of its own and during the last 100 years, it has made significant contributions towards nation building.

India’s first talkie, Alam Ara was released in 1931. This film paved the way for the future of Indian cinema. After this the number of film production companies’ skyrocketed, as did the number of films being produced. Soon the colour films made their appearance. Today India produces close to 1,000 films every year. In fact, India is one country that has remained virtually unaffected by Hollywood’s dominance of the international cinema. Indian film producers don’t need to look at Hollywood’s calendar of mega-releases before releasing their own films.

As an artistic medium, filmmaking has always been about innovation. Indian directors utilise new innovations because they want to tell a better story. The bulky camera, which made it practically impossible to execute smooth tracking shots, has now given way to more sophisticated cameras. The use of computer-generated imaginary has become quite common during the last few decades. In the area of animation and digital entertainment, India is today regarded as a worldwide leader. Indian animators have made great contribution in technological wizardry that you get to see in international successes like Life of Pi, Skyfall and Kung Fu Panda. Few years ago, Ramayana: The Epic, a classic animation for children and adults, was released. The film, which sizzles and crackles with special effects, is a retelling of the story of Lord Rama, from his birth until his battle with Ravan at Sri Lanka. 

Technology is arguably having its most profound and pronounced effect on film in this day and age. It is an exciting age for international film industry, the digital age. In 2010, the Tamil science fiction film Enthiran (The Robot) was released. The film features Rajinikanth in dual roles, as a scientist and an andro humanoid robot, alongside Aishwarya Rai. The film entices the audiences with many special effects that have never been seen before on Indian screens; the viewers are regaled with scenes that have a shape shifting giant, a snake, a human train and much else. However, most Indian films are not overtly dependent upon special effects in order to keep their audiences hooked. So we don’t have movies like Avatar produced by James Cameron. Indian audience is more keen about watching movies that retain their Indianness and focus on emotional and social content.

One of the most exciting innovations in cinema is the use of higher frame rates. James Cameron and Peter Jackson have used this system in their films for having increased clarity. If the film is running through a projector, then you can’t have frame rate more than 24 FPS. But as films in the world make a transition to the digital, it has now become possible for directors to try higher frame rates. Peter Jackson shot The Hobbit at 48 FPS. Indian cinema is now gearing to incorporate new advances in digital technology. Films are now being planned that will have higher frame rate and other advances of digital technology. One problem that Indian cinema faces is that the design of most movie theatres in the country is not conducive for digital films. Lot of new investment will be needed to bring improvements in this area.

Research and development are continuous and relentless in the film industry, with many innovations entering the market everyday. The Indian film industry has to keep upgrading itself. Perhaps it is now time for the government to come up with new policies and regulations that will allow the creatives of Indian cinema to make more investment in technology so that the quality of our films can become even better.

—Anoop Verma

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