?Behrupiya is an Art which combines many art-forms?
June 9, 2026
  • Read Ecopy
  • Circulation
  • Advertise
  • Careers
  • About Us
  • Contact Us
Android AppiPhone AppArattai
Organiser
  • ‌
  • Bharat
    • Assam
    • Bihar
    • Chhattisgarh
    • Jharkhand
    • Maharashtra
    • View All States
  • World
    • Asia
    • Europe
    • North America
    • South America
    • Africa
    • Australia
  • Editorial
  • International
  • Opinion
  • RSS @ 100
  • More
    • Op Sindoor
    • Analysis
    • Sports
    • Defence
    • Politics
    • Business
    • Economy
    • Culture
    • Special Report
    • Sci & Tech
    • Entertainment
    • G20
    • Azadi Ka Amrit Mahotsav
    • Vocal4Local
    • Web Stories
    • Education
    • Employment
    • Books
    • Interviews
    • Travel
    • Law
    • Health
    • Obituary
  • Subscribe
    • Subscribe Print Edition
    • Subscribe Ecopy
    • Read Ecopy
  • ‌
  • Bharat
    • Assam
    • Bihar
    • Chhattisgarh
    • Jharkhand
    • Maharashtra
    • View All States
  • World
    • Asia
    • Europe
    • North America
    • South America
    • Africa
    • Australia
  • Editorial
  • International
  • Opinion
  • RSS @ 100
  • More
    • Op Sindoor
    • Analysis
    • Sports
    • Defence
    • Politics
    • Business
    • Economy
    • Culture
    • Special Report
    • Sci & Tech
    • Entertainment
    • G20
    • Azadi Ka Amrit Mahotsav
    • Vocal4Local
    • Web Stories
    • Education
    • Employment
    • Books
    • Interviews
    • Travel
    • Law
    • Health
    • Obituary
  • Subscribe
    • Subscribe Print Edition
    • Subscribe Ecopy
    • Read Ecopy
Organiser
  • Home
  • Bharat
  • World
  • Operation Sindoor
  • Editorial
  • Analysis
  • Opinion
  • Culture
  • Defence
  • International Edition
  • RSS @ 100
  • Magazine
  • Read Ecopy
Home Bharat

?Behrupiya is an Art which combines many art-forms?

 In the context of National Behrupiya Festival, 2018, organised by Indira Gandhi National Centre for the Arts (IGNCA), New Delhi in collaboration with Martand Foundation, Udaipur, the debate regarding Behrupiya tradition and its continuity and change has resurfaced. Organiser Sub-editor Shaan Kashyap talked to Dr Sachidanand Joshi, Member Secretary, IGNCA, to understand the nuances of Behrupiya tradition. Excerpts:Behrupiyas are simply seen as comical impersonators. However, they have also played the c

Archive ManagerArchive Manager
Oct 15, 2018, 03:16 pm IST
in Bharat
Follow on Google News
FacebookTwitterWhatsAppTelegramEmail

 
In the context of National Behrupiya Festival, 2018, organised by Indira Gandhi National Centre for the Arts (IGNCA), New Delhi in collaboration with Martand Foundation, Udaipur, the debate regarding Behrupiya tradition and its continuity and change has resurfaced. Organiser Sub-editor Shaan Kashyap talked to Dr Sachidanand Joshi, Member Secretary, IGNCA, to understand the nuances of Behrupiya tradition. Excerpts:
Behrupiyas are simply seen as comical impersonators. However, they have also played the crucial role of information and idea carriers. How do you sum up this tradition?
It is an important tradition and style of story-telling which includes the elements of drama, music and dance. It is an Art which combines many art-forms. In ancient times, when there were a few modes of entertainment, behrupiya was a major source of entertainment and more significantly, information. In fact, in early India, behrupiyas were used to spread important social messages by the ruler. They played a crucial role in spreading communication on crucial information.
 
Dussehra is here and Ramlila has been a folklore tradition which popularised Ramayana. Do you think the Ramlila tradition can be seen as an extension of behrupiya tradition?
No, Ramlila and behrupiya tradition is entirely different. The process of the artist making in both traditions is different. Behrupiya is an independent art, whereas Ramlila is a group art. Ramlila also has an element of ethos which is dominantly religious. Though some behrupiya artists play roles in the Ramlila, tradition-wise both are different.
 
Behrupiyas on the whole are upset that society now mocks them for being so. Why do you think degradation in the appreciation of such an art-form came?
Development in technology has boosted our options of information and entertainment. Now, society feels that it doesn’t require these artists to act as those sources. Secondly, people do not have much time that they fail to lend their attention to these performers on the streets. Thirdly, there is a social security element, let’s consider, if someone is playing a police officer or a robber, people won’t engage much. And lastly, we have failed to prepare our younger generation to appreciate such a fantastic art-form.
ShareTweetSendShareSend
✮ Subscribe Organiser YouTube Channel. ✮
✮ Join Organiser's WhatsApp channel for Nationalist views beyond the news. ✮
Previous News

How did Ramlila reach to Caribbean Islands and what does it signify?

Next News

Electoral Battle Begins in the Five States

Related News

Accused Nida Khan reportedly admits taking victim for religious instruction, teaching Islamic rituals

Nashik TCS Corporate Jihad: ‘I taught her how to do namaz,’ says Nida Khan; victim pressured to observe 30 ramzan roza

Germany: Sri Ganesha temple opens in Berlin: Europe’s largest Hindu Mandir reflects India’s cultural & dharmic spirit

Rajasthn | RSS centenary journey embodies dedication to nation-building: Dr Ramesh Agrawal

Decades of illegal infiltration from Bangladesh have driven profound demographic shifts in Assam, fundamentally altering its religious, linguistic, and political landscape

Unnatural demographic change: The termite threat

The Rs 200-crore MAHA Water Mission seeks to boost water security and democratise research funding in India

From Rigveda to Research Labs: How ANRF’s Rs 200 crore water mission is securing India’s future

(Right) Prakhar Shrivastava, Senior Consulting Editor and Anchor at Delhi Doordarshan Kendra at a Narada Jayanti programme in Guwahati (Left) Prakahar Srivastava addressing the gathering

Narada Jayanti by VSK Assam: “Half-truths more dangerous than lies,” says senior journalist Prakhar Shrivastava

Load More

Latest News

Accused Nida Khan reportedly admits taking victim for religious instruction, teaching Islamic rituals

Nashik TCS Corporate Jihad: ‘I taught her how to do namaz,’ says Nida Khan; victim pressured to observe 30 ramzan roza

Germany: Sri Ganesha temple opens in Berlin: Europe’s largest Hindu Mandir reflects India’s cultural & dharmic spirit

Rajasthn | RSS centenary journey embodies dedication to nation-building: Dr Ramesh Agrawal

Decades of illegal infiltration from Bangladesh have driven profound demographic shifts in Assam, fundamentally altering its religious, linguistic, and political landscape

Unnatural demographic change: The termite threat

The Rs 200-crore MAHA Water Mission seeks to boost water security and democratise research funding in India

From Rigveda to Research Labs: How ANRF’s Rs 200 crore water mission is securing India’s future

(Right) Prakhar Shrivastava, Senior Consulting Editor and Anchor at Delhi Doordarshan Kendra at a Narada Jayanti programme in Guwahati (Left) Prakahar Srivastava addressing the gathering

Narada Jayanti by VSK Assam: “Half-truths more dangerous than lies,” says senior journalist Prakhar Shrivastava

Everest Survivor being taken to the hospital on a stretcher

Everest Survivor ICU Interview: BBC under fire for interviewing Sherpa without family’s consent

Phillipines Earthquake: 7.8 magnitude deadly earthquake leaves 15 dead, 200 injured; Rescue operation underway

Shamli Conversion Case: 'I studied Islam on YouTube,' says Ayush Malik as family alleges grooming

Shamli Conversion Case: ‘I studied Islam on YouTube,’ says Ayush Malik, now Mohammad Ali, as family alleges grooming

RSS functionaries on the stage at samapan samaroh of Sangh Shiksha Varg and Karyakarta Vikas Varg–Pratham at Sambalpur.

Awakening of Lokshakti is essential for building a glorious Bharat: Dr Gopal Prasad Mahapatra

Load More
  • Privacy
  • Terms
  • Cookie Policy
  • Refund and Cancellation
  • Delivery and Shipping

© Bharat Prakashan (Delhi) Limited.
Tech-enabled by Ananthapuri Technologies

  • Home
  • Search Organiser
  • Bharat
    • Assam
    • Bihar
    • Chhattisgarh
    • Jharkhand
    • Maharashtra
    • View All States
  • World
    • Asia
    • Africa
    • North America
    • South America
    • Europe
    • Australia
  • Editorial
  • Operation Sindoor
  • Opinion
  • Analysis
  • Defence
  • Culture
  • Sports
  • Business
  • RSS @ 100
  • Entertainment
  • More ..
    • Sci & Tech
    • Vocal4Local
    • Special Report
    • Education
    • Employment
    • Books
    • Interviews
    • Travel
    • Health
    • Politics
    • Law
    • Economy
    • Obituary
  • Subscribe Magazine
  • Read Ecopy
  • Advertise
  • Circulation
  • Careers
  • About Us
  • Contact Us
  • Policies & Terms
    • Privacy Policy
    • Cookie Policy
    • Refund and Cancellation
    • Terms of Use

© Bharat Prakashan (Delhi) Limited.
Tech-enabled by Ananthapuri Technologies